Wednesday 30 November 2011

Week 48 - Part 2

Part Two – Kasabian

“You slouch! You’re a sloucher!”

In addition to our excursion to Bristol, the 48th week of Gigaweek also involved a short trip to the Motorpoint Arena to see one of the biggest bands in the country, Kasabian. Escorted by my minders, burly Cousin Bish and puny J-Mo, I met Sandro at Copa where he was enjoying a pre-gig pint with Salazar.

Also present and making a long-awaited return to Gigaweek colours were P. Mushy and K-May. Their two month old baby (Aya Nappy) had been left in the care of Little P, which I considered to be a cruel and unusual punishment, but that’s for the NSPCC (who I contacted immediately) to decide.
Famous pasta pusher The Wiggler was also there, along with some of his pals who had real names, and we were also joined for the first time by part-time goalkeeping hero and full-time phone hacker CK1.

Also in attendance were Flapjack and Gavlova, which gave me a chance to refresh my memory of the weekend’s events, which wasn’t such a good idea.
-------
“I don’t really remember much of Sunday to be honest guys, wasn’t there some awful news that ruined the day?” I asked.

“No,” Flapjack replied.

“No idea what you’re talking about,” Gavlova said.

“I remember diving straight into a taxi from the train station. . .” I said flexing my memory muscles.

“It was quite a dive from the platform too, most impressive,” Flapjack said.

“. . . we went to that pub, The White Bear,” Gavlova continued, “where there was a Sky Sports sign, but no Sky Sports.”

“That’s called false advertising,” Flapjack added helpfully. 

“You asked the girl if they were showing the Swansea game and she looked at you like you’d just beaten up her boyfriend with a 2x4,” I said to Flapjack.

“Most women do. ‘We don’t show football anymore’ she said to me with disdain. I was quite insulted,” Flapjack replied. “I’m not racist but I always preferred black bears anyway.” 

We’d then hunted for another venue heading down St. Michael’s Hill and found a tiny, quiet old-fashioned place called the Colston Arms, where we watched the first half of the Swansea game, before heading back up the hill to a place called The Robin Hood for the second half. That was a regrettable decision as it turned out that Robin and his merry men didn’t do Sunday roasts. 

“We had to have pie and mash instead, on a Sunday!” Gavlova said shaking his head. “I’d been looking forward to Sunday dinner.”

“Never mind, I’m sure there’ll be another Sunday shortly,” I comforted him.

Next was a long walk to The Bristol Ram on Park Street to watch Liverpool, before playing a bit of pool at The Elbow Room up the road. 

“There wasn’t much elbow room there,” Flapjack said.

After Sandro had shown off his cue skills, we headed to The Berkeley, which is the Wetherspoons on the corner and played another pub favourite: the Itbox.

That was our final stop before making our way to Anson Rooms.

“I vaguely remember ‘Helena Beat’ and ‘Pumped Up Kicks’ but very little otherwise,” I said.

“I remember seeing Flapjack’s miserable face,” Gavlova said.

“They were shit,” Flapjack said by way of explanation.

“We popped in Wetherspoons before going back to the station didn’t we? But I don’t remember the train itself.” I said.

“That’s because you were asleep for most of it,” Gavlova said.

“Ahh right. I was only awake long enough to fill a toilet basin with some Strawberry Cider-red vomit,” I finished, which is when Gavlova and Flapjack decided to stop talking to me once and for all.
-------
Back in present day, we arrived at the Motorpoint (without being approached by any short, drunk, homeless men) and almost immediately splintered into two separate groups. J-Mo, Cousin Bish, Gavlova, CK1 and I loitered at the back of the arena near the express bar, while the B team took up a position near the gents down the right flank. I felt we had our priorities right. Unless a vomiting attack took hold of me, in which case the back of CK1’s head would have to do.

We were only in time to see a small portion from the set of Miles Kane, who was supporting. This being the fourth time this year I’d seen him (discounting the seventeen times I’d mistaken Flapjack for him), I didn’t mind missing him. He was kind enough to try to treat us to ‘Come Closer’ and ‘Inhaler’ but the vast arena swallowed most of their effect.

By the time the headliners arrived, space was in such short supply in the crowd and there were so many instruments and pieces of equipment on stage bleeping and vibrating that the acoustics weren’t such a problem. 

Despite Kasabian’s chief songwriter Sergio Pizzorno’s insistence that they’re avant-garde, they’ll always be dismissed as lager-lout lad rockers by many. Luckily, we were armed to the teeth with lagers and while there were undoubtedly plenty of sing-alongs in their set, there was also plenty of experimental electronics too, particularly as I fumbled with my Nokia 0010.  

In our customary contest to predict the first song, Gavlova won a cuddly toy as the band began with ‘Days Are Forgotten’ from recently released fourth album Velociraptor! Front-man Tom Meighan’s face was prominent on the two giant screens either side of the stage, and he appeared to be wearing Paul from U2 style shades.

Before following up with ‘Shoot The Runner’ Meighan took a moment to show his band’s respect for Gary Speed, who he dedicated the show to. An emotional audience demonstrated its approval with chants of ‘Speedo’ and ‘There’s only one Gary Speed!’ and there were further mentions of the great man throughout, in what were genuine and earnest tributes.
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Having seen them at Glastonbury two years ago, I was expecting to thoroughly enjoy the show and I did. If you don’t like Kasabian, you probably didn’t. In fact you probably wouldn’t have been there at all, unless you were compelled by some ridiculous challenge to attend at least one gig every week and happened to be in the Cardiff area at the time.

Their set drew mostly from their two most recent albums, Velociraptor! and West Ryder Pauper Lunatic Asylum, with only a couple of songs from Empire and just a few from their self-titled debut. ‘Underdog’ made an early appearance and was followed naturally by ‘Where Did All The Love Go?’ for which I felt obliged to head over to P. Mushy and Sandro to sing what was our Glastonbury anthem of 2009 (the ulterior motive being that Mr Pecker needed a leak).

‘Thick as Thieves’ was well received, as was fan-favourite ‘Club Foot’, which made the cut, unlike ‘Cutt Off’ and ‘Reason is Treason’. Newbie ‘Re-Wired’ and oldie ‘Empire’ followed with some sing-along choruses, ‘Fast Fuse’ was understandably electric, while Velociraptor’s ‘Goodbye Kiss’ was introduced by Meighan as a beautiful song and only a curmudgeon would disagree. 

Their main set closed in style with ‘LSF’, as the big screens showed some audience members lost their souls forever as they were victims of a ‘Soul Grabber’ (which I think means that they had their pictures taken) . 

Compared to Arctic Monkeys’ speedy show at the beginning of the month, this one had seemed a lot longer. That may have just been my perception rather than reality (I forgot to set my timer again), but I certainly didn’t have the same lengthy list of songs I was sad to miss.
Of course, we expected Kasabian to return for more and they did. ‘Can you feel it coming?’ asked the nosey big screens, precursing the impressive ‘Switchblade Smiles’. ‘Vlad the Impaler’ followed before it all ended, as we knew it would, with ‘Fire’, featuring King Louie.
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Outside, we had to battle our way through violent rain and although Cousin Bish took a few savage blows to his unprotected head we made it to O’Neill’s for a post-gig pint.

The post-gig pint has become an essential tradition of Gigaweek, only rivalled by the pre-gig pint (and occasionally the gig itself). It has set the scene for some harrowing events, such as the occasion that Sandro attacked me with empty cigarette packets, and some fiercely intellectual debates, such as when we discussed the best songs to contain the words ‘hot diggity dog’. 

The last post-gig pint of the penultimate month of Gigaweek featured a revelation that left all present dumfounded. Our conversation had meandered onto the subject of height, as it has a habit of doing when short people are present. I happen to inhabit the ‘Goldilocks zone’ of around 6 foot, whereas Cousin Bish is in the ‘Freakishly tall’ category and J-Mo is in the ‘Short-arse’ class. Sandro meanwhile, is an imposing 6 foot 2, so it was rather a surprise when J-Mo revealed his shock that Sandro was taller than me.

“I suppose from your low angle, it can be difficult to tell,” I said sympathetically.

“I thought you were my height!” J-Mo said to Sandro.

“But you’re 5 foot 5?” Sandro said with contempt.

“No, I’m not! I’m 5 foot 6!” J-Mo said defensively. “You slouch! You’re a sloucher!” J-Mo screamed at Sandro dementedly.

“I’d have to slouch a lot to be your height,” Sandro replied.

“Well anyway, height is nothing to be proud of,” J-Mo said. “It’s not an achievement!”

Spoken like a true shorty.
-------
November
 
29-4 - Arctic Monkeys -

5-11 - Girls -

12-18 - Wise Blood -

19-25 - Wild Beasts -

26-2 - Foster The People + Kasabian -

Sunday 27 November 2011

Week 48


Week 48 – Sunday 27th November + Wednesday 30th November – Foster The People + Kasabian – Anson Rooms, Bristol + Motorpoint Arena, Cardiff – £11 + £37

Part One – Foster The People

“There really is nothing to say. . .”

A week after my first ever visit to Anson Rooms, Sandro, Flapjack, Gavlova and I headed back there to see a show from Foster The People . As Flapjack’s beloved Swansea City were live on TV at half one, the plan was to arrive early in Bristol to set up a grand day out.

It was always going to be a long Sunday, but turned out to be a very long day indeed. 

Normally I would describe in detail the various taxi drivers we encountered, the pubs we stumbled out of and the types of beers I dribbled down my chin and spilled down my shirt, all of which usually seem so vital. 

But on this day, all of this paled into insignificance, with the sad news that reached us on the train at midday. 

Wales’ footballing hero and national team manager, Gary Speed, had been found hanged at his home at just 42 years of age. Usually when a public figure that I like but have never met dies, though I may feel a tinge of sadness momentarily, my thoughts soon return to the cymbal-banging monkey that guards my brain.

But this was different. Speedo was a player who Welsh football fans (and others) had watched and loved for nigh on twenty years. Being a Welsh football fan isn’t always the most rewarding experience. In fact, it mostly involves being pretty downbeat and miserable most of the time, except for moments before an international fixture, when suddenly and inexplicably you feel a strong enough surge of optimism to predict a brave but fortunate 1-0 win. Generally speaking, this doesn’t happen, which is why we all drink so much.

Welshmen dream of qualification for the World Cup (or even the Euros) in the way that I imagine someone from a bigger country dreams of winning it. The trip abroad and tournament itself would be our open-top bus ride, although no doubt we’d start to dream of winning it ourselves if we actually reached the damn thing. 

Speedo was an influential young player in the team that came so close to qualifying for the World Cup in the US in 1994 and then captained the side that came equally close to reaching the European Championships in Portugal in 2004. Qualification was his and our Holy Grail, but only since he became manager did it seem plausible again. 

Of course there’s no danger of the Speeds stumbling across Gigaweek, but hopefully his family will have been comforted by the incredible and heartfelt tributes that have subsequently been made in his honour, in the football world and beyond, which prove that he will be missed, but remembered by many.
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Saturday 19 November 2011

Week 47

Week 47 – Saturday 19th November – Wild Beasts – Anson Rooms, Bristol – £14

“23 quid, that’s my final offer!”

The day after we was robbed at Wise Blood, Sandro and I made a long overdue return to Bristol to see Wild Beasts. A wild beast we know well, namely Cousin Bish, joined us for a couple of cans of Magners on the 7 o’clock train. 

If you’re a regular reader, then I’m sure you’ve frequently been astounded by our sometimes outlandish and uncontrollable behaviour (remember that time I bought a 17 year old a drink?). This week, I could tell from our discussion on the train that our antics were going to be crazier than ever.

It was the 17 varieties of apples that Magners are made from, that inspired our topic of conversation. “How many varieties of Apples can you name?” I asked wildly, readily armed with an armoury of apple knowledge.

“Well there’s Granny Smith,” Cousin Bish started confidently.

“My personal favourite, Red Delicious,” I chipped in.

“Golden Delicious,” Sandro said, following my lead.

 “Umm, that’s all of ‘em isn’t it?” Cousin Bish said, losing the contest miserably in the process.

“You’re forgetting Gala,” I pointed out. Cousin Bish was furious with himself.

“And Empire,” Sandro added. He knew his apples.

“Touché. I see your Empire, and raise you Braeburn,” I replied. I could tell Cousin Bish was impressed.

“The Blenheim Orange,” Sandro said. “How do you like them apples?”

Cousin Bish and I looked at each other. I don’t think anybody was expecting that. I began to sweat.

“Cox’s,” I said.

Sandro’s lip curled malevolently.

“You mean, Cox’s Orange Pippin,” he replied scornfully. My heart sank. 

With that I was beaten, albeit on a technicality, unless...

“As I went first you still have to name at least one more,” I said to Sandro.

“No problem. How about, The Knobbed Russet?” he replied.

“Now I know you’re just making them up!” Cousin Bish said dismissively.
-------

When we arrived in Bristol, like me, the taxi driver we happened upon seemed oblivious as to where the venue, Anson Rooms, was. In fact, he didn’t seem to know where Bristol University was. Nor Park Street. Nor Bristol for that matter. With a little direction, he did his job well enough for us to arrive in time to see the support band, Braids.

We picked up a pint of Gaymers from the bar before heading into the main hall, immediately spotting Big Jeff up front, although amazingly he appeared to only be in the 2nd row. Having not listened to Braids before, I was quietly impressed by their quality and would have to say that they are undoubtedly the best Canadian band I’ve seen since The Russian Futurists.

Once they’d finished we scrambled for another drink, but the main bar was so busy that we headed to the bottle bar instead. From there we bought a couple of bottles each for £3.50 a pop, which was quite disgusting but I’ll learn to live with it one day. 

Wild Beasts took to the stage professing their love of Bristol, harking back to a gig at The Louisiana a few years ago and declaring what a delight it was to play a city that had treated them so well. I felt my heart warming before realising that I’m not actually from Bristol and they weren’t praising me at all.

“Incidentally, Cardiff is shit,” they probably also added.
-------

Unlike Braids, I have listened to Wild Beasts a fair amount, particularly their second and third albums, Two Dancers and Smother. It was these two that provided the bulk of tonight’s material, with only ‘The Devil’s Crayon’ from their debut Limbo Panto featuring. They opened with the luxurious Bed of Nails and followed it with ‘We Still Got The Taste Dancin’ On Our Tongues’ which gave their singer a chance to show off his distinctive, high pitched vocals.

They have two singers as it happens. One, Hayden Thorpe, specialises in a high-pitched, haunting voice, while the other, Tom Fleming, wields a much lower, perfectly complimentary voice. Fleming was given the opportunity to flex his larynx on ‘Two Dancers (ii)’ and ‘Deeper’ which was appropriate, given his dancing skills. 

The crowd was tooting and applauding as the band finished on ‘Hooting & Howling’ before they departed for a moment, destined to return for a few more. Their encore featured 3 songs, beginning with the wonderful ‘Lion’s Share’. 

‘Woooah ohh ohh, woooah ohh ohh! Oh, oh, oh, oh oh! Oh, oh, oh, oh oh!’ was the catchy refrain of the night (if you can figure out how that sounds, feel free to hum it to yourself), and came from ‘All The King’s Men’, which saw Fleming hooting in a high pitched tone, while Thorpe howled in the background. It was all terribly confusing.

‘End Come Too Soon’, signalled the end of the show, and not a moment too soon considering what happened before it. 

A young lad had brushed past us as he led his friend by the hand. It was unusual to see two grown men holding hands, but it’s the ‘90’s, so I didn’t bat an eyelid. Neither did the second lad actually, even when his nose collided with my cheek, nearly giving me a black eye.

“Did you just kiss a blind man?” Cousin Bish asked moments later.

“No, I didn’t. He just bumped into me is all,” I replied.

“You did. I saw you pucker up and everything,” Cousin Bish said. “Poor guy, at least he had an excuse!”
-------

Once outside, Cousin Bish drained our bladders against a nearby tree, much to the tree’s frustration. Judging by the wet patch on my left dap; we’d stood too close to each other.

“Jesus H! Are you blind!?” I asked furiously.

“Nope, but that bloke you kissed earlier was.”

“It wasn’t a kiss, it was a head-butt. That’s where you’ve been going wrong.”

Childish bickering apart, we once again found ourselves in a very real predicament. We were already too late for the last train home from Temple Meads, which left at five to eleven, so we had to get to Bristol Parkway by half past eleven, or face a wait ‘til ten to ten in the morning.
When a Taxi driver is aware of this information, there’s a danger of being bent over a barrel, and I bend over for no man, blind or not.

When we asked our Taxi driver of choice to take us to Parkway, he reached for his trusted handbook.

“That’s 25 quid,” he said after finding the relevant page.

“25 quid!” we exclaimed in unison.

“Yes, look, it’s in the book!” he said defensively.

I peered through the glass. I could have sworn it said ‘Last train is 23:30. Bleed the buggers dry.’

“You’ve got to be kidding,” Cousin Bish said. “We paid 15 quid last week!”

“No, it’s 25,” chuckled the adamant driver.

“I reckon we can get it for less from someone else,” Cousin Bish said chancing his arm.

It was five past eleven so it was a dangerous game to play, but the driver buckled.

“Look, 23 quid, that’s my final offer!” he offered.

“Can’t we just have the meter on?” Sandro suggested.

“No, it’s outside the Bristol limits,” the driver said. We sighed collectively. 

“Look, I’ll do it for 20 quid, Ok?”

“Sure!” Cousin Bish said. “Don’t worry lads, it’ll be 18 by the time we get there!”

It wasn’t. It was 30.
-------

The wild night continued on the train home. We’d arrived at an otherwise abandoned Bristol Parkway and Sandro was hungry enough to buy a Bounty from one of the archaic vending machines. This particular vendor had a sense of humour and gave him a Twix instead. Being a Twix fan, I thought this a result, but Sandro was enraged.

“If I’d wanted a Twix, I’d have pressed the Twix button!” he argued with the vending machine, who rudely ignored him.

Aboard the inspectorless train, we decided to sample the luxury of first class travel. The seats were each equipped with a screen and a selection of videos to choose from. Rather than discuss varieties of Oranges with Sandro and Cousin Bish, I plugged my headphones in and settled down to watch Steve Coogan and Rob Brydon bicker for half an hour.

Unfortunately, the counter on the buffet car was closed. There wasn’t a Knobbed Russet in sight. Dizzy with thirst and hunger, Sandro and I emptied more than 20 milkettes into a stray cup, before Sandro decided that he wanted milk about as much as he wanted a Twix, and left me to it.

It was only after I’d drained the cup that I decided that, like Ron Burgundy before me, milk was a bad choice.
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November
 
29-4 - Arctic Monkeys -

5-11 - Girls -

12-18 - Wise Blood -

19-25 - Wild Beasts -

26-2 - Foster The People + Kasabian

Friday 18 November 2011

Week 46

Week 46 – Friday 18th November – Wise Blood – Undertone, Cardiff – £6

“You’re just a bit of a twat really aren’t you?”

You may not be surprised to discover that the above remark was made by Sandro, but you will be staggered to learn that it was not directed at me. 

But more on that later. . .

Sandro and I left it late to ensure that we had a gig for Week 46. It was the only week in November that we hadn’t planned for in advance and our options were fairly limited. The gig we finally settled on was one from a young American known as Wise Blood, who hails from Pittsburgh.

He’d been brought over the Atlantic by Sŵn, in anticipation of big things. We’re talking S-Club big.

They brought him to Undertone, so he presumably booked the next flight straight back when he arrived. If Wisey does hit the big time, he’s unlikely to ever play anywhere quite like it again.

Sandro and I had daringly decided not to purchase our tickets in advance, so we needed to arrive early just in case one of those annoying buzzes you always hear about (not tinnitus) had led to a sell-out.
-------
After a thoroughly enjoyable bus ride to town, we were greeted by closed doors so headed next door to O’Neill’s, where old chums and upstanding gentlefolk Flapjack and The Wiggler were sharing a romantic pint. Not wanting to spoil their evening, we returned to Undertone at half eight, by which time its doors had mysteriously opened.

Tickets were a steal at £4 online, but turned out to be £2 more on the door. Sandro especially, felt robbed. 

“It doesn’t say MOTD on the poster,” he complained, after glimpsing an unwelcome Mark Lawrenson and Gary Linekar lurking behind us. Big Wise Blood fans I'm assured.

We were amongst the first to enter and helped ourselves to a cheap Stella IV while enjoying the pre-gig mood-setting music. Music which put us in mind to discuss ideas for a film neo-noir we’re planning to never make. 

Just as we were deciding how our bumbling-detective protagonist would shockingly be murdered at the end of the film (by falling into an industrial deep fryer, I suggested), law-abiding citizen Ryan of Brum appeared.

He was in time to see the support, a gentleman who went by the name of Crash.Disco! Though he was just one young man and a mac, Crash made some very interesting sounds, beginning with a twist on the signature tune from Close Encounters of the Third Kind. He didn’t outstay his welcome though, disappearing with some skinny, pale lads with large heads after a short while.
-------
As Sandro and Ryan of Brum pointed out, the presence of Sŵn chief John Rostron and Radio One DJ Jen Long suggested Wise Blood had a few industry eyes and ears pointed in his direction (only Linekar could manage both at the same time). The presence of a couple of notebooks in the audience was also noted. 

One was a small notepad (approx. 120 sheets, I’d say) held by a young lass, while the other was a more cumbersome A4 pad (200 leaf at least) cradled by a young lad. Although the budding writers both looked raw, they already seemed to know how to hold a pen. 

I felt intimidated.

“Don’t worry, you could teach them a thing or two,” Ryan of Brum said kindly. 

“I don’t know, they’ve got pens and everything,” I replied.

“Pens are for novices,” Ryan of Brum said. “Remember your motto,” he added reassuringly.

“Don’t eat yellow snow?” I said.

“No the other one,” Ryan of Brum said. “The relevant one.”

I though hard and was comforted by the words of wisdom passed on to me by my ancestors.

Trust your memory and if it fails, make the rest up.’
-------
Undertone was as busy as I’ve ever seen it (not very) when Wise Blood took the stage. The singer wore a beanie, which suggested he was a closet baldy. Neither the drummer nor keyboardist who accompanied him had particularly interesting hair, although perhaps that’s a little harsh.

Whether Wise Blood is the name of just the singer or the collective name for the trio is unclear to me. Maybe, as with Wibidi, it’s both. Regardless, they and he were entertaining and unusual, using samples and keyboard wizardry to create a dark yet danceable sound, although I could just be making that up. I certainly didn’t dance.

A curious Ryan of Brum noticed that the young lass with the small notepad had scribbled the words ‘pseudo-rap’ on her pad to describe Wisey’s vocal delivery. I didn’t know what that meant and therefore wholeheartedly disagreed.

Meanwhile, the faux-mc chatted a little between songs. He frequently referred to our fine city with amusing emphasis on the second syllable. “Hey Car-Diff! It’s great to play out here in the countryside.” Silly Pitsburger.
-------
At one point he quickly dashed to the bar to pinch 3 tequilas, returning to down them with his band-mates. “You English like to drink right?” he said, putting his foot in it, but all in the crowd were too drunk to argue. Though he spoke and often sang like Justin Timberlake, his voice sometimes morphed into the aggressive growl of a metalhead, something I never encountered on Justified.
 
As we neared the latter stages, Ryan of Brum suggested that although he’d enjoyed what he’d seen so far, Wise Blood was in serious need of some choruses. Wisey was clearly wise to this, as on queue came a chorus about bitches of some kind (loud bitches no less), in what was an undoubted high point of the show. 

The set ended with a touching love song about a girl called Claire, who Wisey apparently wanted to meet, tie up and beat. “Girl, I wanna meet ya, tie ya up and beat ya tonight,” he barked dementedly. I looked uncomfortably at Ryan of Brum and Sandro, but they seemed fine with it.

It was actually a very good closer, and I’m all for not taking things literally, but I can see these lyric making it into The Daily Mail at some point. Nevertheless I was keen to find someone to tie up and beat so we left to re-join Flapjack and The Wiggler.
-------
Thoroughly decent chap Dante Tyte also joined us for a post-gig pint and he, The Wiggler and I found ourselves unwittingly wasting £4 on entry to 10ft Tall, while Sandro, Ryan of Brum and Flapjack snuck off to The Full Moon Bar. 

There followed a battle of wills as we insisted they return to join us, while they invited us to join them. We were outraged by their deception and adamant that we wouldn’t be the ones to budge. 

Five minute later we were all at The Full Moon Bar. Ryan of Brum departed soon after, while The Wiggler and Flapjack entrusted me as their Kopparberg minder while they popped outside for a cigarette with Dante. 

As I leant against the bar with my back to the ciders, I saw a flash out of the corner of my eye. In my peripheral vision I spotted a man who was waiting at the bar next to me, tuck something into the inside pocket of his jacket.

I had a quick look behind me. Flapjack’s bottle had disappeared. I thought nothing of it.
Wait a second, I thought to myself, that was The Wiggler’s bottle.
 
“I’ll have that Kopparberg back mate,” I said turning to the thief.

He hesitated for a moment, as though he was considering protesting obliviousness, but made no attempt at denial and reached inside his jacket (revealing a black and white hooped top underneath) and gave the bottle back. 

“You should keep an eye on your drinks,” he told me with a cheeky smile.

“Clearly, I did,” I replied flatly. This was no time for cheeky smiles.
-------

Did he really do that, or is this one of those ‘make the rest up’ moments? I thought to myself. People have attempted to burgle bottles from almost under my nose before and I’ve wondered if they’re really that desperate or if they just enjoy the thrill of thievery. Perhaps both.

Sandro was on the opposite side of me to the thief and leant in to enquire as to what was puzzling me. He could scarcely believe his ears, but then his ears do have a reputation for lying. We stood bewildered as the thief returned a little later, with a joke no less.
“You’ve gotta be careful see, you never know who’s about,” he said with a wink.

“You’re just a bit of a twat really aren’t you?” Sandro said, in no mood to humour him. A valid point, I thought.

The thief was incensed. “You what?”  Also a valid point.

“What kind of person nicks a bottle of Cider from the guy next to him at the bar?” Sandro replied. 

“You what? It was on the table! I didn’t know it was his! It was there for the taking!” the thief defended himself. 

“Is that why you snuck it in your pocket is it?” Sandro said.

“Listen pal, I’ve just had a nice conversation with your mate and you start this,” the thief replied, stretching the truth ever so slightly. “Come on then! Let’s have it outside!” he offered, despite being a foot shorter than Sandro. 

The thief made to leave the bar, inviting Sandro to follow. By now I was feverishly scribbling notes on the A4 pad I’d stolen from the young lad at Undertone.

Sandro is not a violent man by nature, nurture has made him that way. Fortunately for the thief, the security staff at The Full Moon Bar intervened.

I was comforted by a conversation I had with one of the lads he was with. 

“He’s a nutter, I don’t know what’s wrong with him!” he said.

“Er, he’s your mate, right?” I asked.

“Well, a friend of a friend really,” he replied.

Flapjack, The Wiggler and Dante finished their cigarettes and returned, just as everything seemed to have calmed and the security staff resumed their normal duties, but the thief came back to try to goad Sandro outside once more. Dante arrived at the opportune moment and appeared to unwittingly accept a challenge to fight the thief himself. 

The bouncers prevented any rumble though, and eventually we headed towards The City Arms while the thief and his merry men headed towards the castle in an anticlimactic, yet peaceful end to the evening. 

The City Arms was exceptionally busy. After waiting a full five minutes with no sign of being served, I decided I couldn’t bear it any longer and snatched a pint from one of the guys next to us. Well, it was either that or give up and go home.
-------

November
 
29-4 - Arctic Monkeys -

5-11 - Girls -

12-18 - Wise Blood -

19-25 - Wild Beasts
26-2 - Foster The People + Kasabian

Tuesday 8 November 2011

Week 45


Week 45 – Tuesday 8th November – Girls – Globe, Cardiff – £8.80

“How lovely to see a band whose drummer has the decency to face forwards. . .”

I woke up on Wednesday 9th November having spent the night fully clothed on my bedroom floor. I had a sore head, a bitter taste in my mouth and very little memory of the previous day. In the pockets of my jeans were three items: a note, a Polaroid and a ticket. 

The ticket was for a gig from a band called Girls.

The Polaroid was a photo of Sandro in front of the venue, Globe.

The note had a badly written message in handwriting that I didn’t recognise. It read:

Don't believe his lies. He is the one. Kill him.”
 
I looked up from the note, into the mirror, and I was horrified to see that there appeared to be blood on my shirt. Worse still, there was a foul stench in the air, and on the carpet was a dark stain, on top of which lay flesh-covered bones.

I had a feeling this would be one hell of a hangover.
-------

As I battled a horrible headache and a slushing stomach, I attempted to piece together the events of the night before.

My last memory was of Sandro and Dante Tyte bidding us good night, as Gavlova, Flapjack and I headed to Milgi to cap our evening with a drink. 

I was in high spirits and Gavlova seemed delighted to have seen a band whose drummer hadn’t felt the need to sit sideways-on to the crowd, but strangely, Flapjack didn’t even bother to say good night to Sandro and glared at him as he sauntered off into the darkness. 

Why did Flapjack seem upset? And why was Sandro going to bed before me? Surely that was a first.

I looked at my hand, where there was a messy message in black ink.  

Know werk tum oro, I had scribbled (proving that without spellcheck I’m a lost cause).

Ahh, of course. Gavlova, Flapjack and I each had Wednesday off work, whereas Sandro was not so lucky. But that didn’t explain what was eating Flapjack. . .
-------

Perhaps if I thought back earlier in the night I would find answers. 

I could remember the gig itself. Girls are pretty hot right now, having just released their 2nd album, Father, Son, Holy Ghost, to wide critical acclaim. Girls aren’t actually girls at all, but a couple of deceptive boys. Maybe that’s why Flapjack was upset. The band’s two permanent members were joined by six others on stage, including three gospel singers. 

Hailing from San Francisco (where nothing bad ever happens), you might think they’d have happy, cheery Beach Boys sunshine pop songs, but their music and backstory have more than their share of darkness in them (a bit like The Beach Boys).

Front-man Christopher Owens has a particularly interesting tale to tell. In the music business especially, there are so many tales of drug addiction, alcohol abuse and lost childhoods, that even the most empathetic of individuals such as Sandro will roll his eyes, tut and tell you to ‘grow a pair’ if you’ve got a sob story to share. 

In fact he’d done exactly that when Flapjack had revealed that he’d been struggling with his dangerous dependence on custard creams. Hmm, maybe that’s what had done it.
-------

Christopher Owens didn’t seem to be sobbing, yet he grew up in extraordinary circumstances. He was raised in the infamous Children of God cult, and moved throughout various countries in Asia and Europe, cut off from ‘normals’ and schooled at home in a society that gave him no exposure to the wider world, until the age of sixteen.

When he made it back to the US in his late teens, in his new surroundings things went from strange to pretty shitty, as more common rock star foibles took their toll. He found himself in trouble with the law and hooked on various drugs, including the drug that never lets you go, no, not custard creams, but heroin.

These experiences inform his lyrics, making for interesting listening. Not the kind of listening that would make one want to have Sandro killed though, surely?

Having briefly listened to their first album, Album, and more extensively to their second, Second, I was delighted by them live. While nearly all the songs off their latest album were played, their first was also well represented, including opener ‘Laura’ and popular early single ‘Lust For Life’ which came midway through. 

While those two songs are fine examples of their lighter, poppier moments, the highlights would have to be the more emotional, slower moments, especially the incredible ‘Vomit’ and ‘Hellhole Ratrace’, both of which do their names justice.

An impressive set closed with ‘Morning Light’, a frantic, rattling song from their debut that sadly didn’t require a contribution from the gospel singers, and didn’t seem to send Flapjack into a murderous rage.
-------

It was then of course, that we made our exit so I was no closer to an explanation. I vaguely recalled the events before Girls. Amazingly, it was our first visit to the venue since The Globe’s death and reincarnation in August, our last visit being way back on July 21st when we saw H. Hawkline.
Under its new management, the venue is now simply known as Globe, having seemingly thought little of the ‘The’ (they clearly haven’t heard the Manics’ cover of ‘This is the day’)

Inside Globe, the refurbished surroundings were in stark contrast to what we’d previously known. Everything was new, clean and light. I didn’t like it. Where were the old, dirty and dark walls I’d grown to love? 

The biggest change of all was the much needed addition of air conditioning. The Globe had been renowned as a peerless sweat inducer, where only a fool would contemplate wearing underwear. Globe however, was the opposite. I even spotted a few people wearing coats.

Next time I visit, I’ll be wearing no less than two pairs of boxer shorts. Unfortunately, on this occasion I was kitted out for The Globe so Señor Pecker was swinging free. I was also wearing a short sleeved shirt, but even though the venue was fairly full, I found myself with goose pimples rather than the raisin fingers that The Globe specialised in. 

We’d bought a drink in time to watch supporting band Spectrals who seem to have a little bit of a buzz around them at the moment. Led by a lank-haired ginger youngster from Leeds, they were fairly good for a band who I’d never heard anything from before. Not good enough to make anyone angry or bloodthirsty though.

I’d have to think back even further.
-------

I looked to the Polaroid to jog my memory. 

Outside Globe there was a shiny new sign above the door. As Sandro pointed out, while on the previous sign, the O was a globe (on Atlas’ shoulders), the O was now closer to being a square than circle.

It was the worst O I’d ever seen and I’ve seen a lot of O’s in my time (I’m terrible at skittles), so I'd taken a quick photo with Sandro in front.

Looking at the photo in the morning, I noticed that right next to Sandro in the foreground, was Flapjack. He had a scowl on his face already. But why?

We’d met at The Claude, just half an hour earlier. Sandro and I arrived first and we discussed our movements since our last gig at The Globe.

“Where have we been going since then?” Sandro had wondered over a pre-gig pint. 

“Bristol, Swansea, Reading. . .” I replied. 

“You don’t have to name them all,” he said in vain. 

“. . . Welsh Club, The Gate, Cardiff Uni, St David’s Hall. Where haven’t we been?”

“Anywhere else,” was the answer.

Gavlova had joined us soon after, swiftly followed by Flapjack who already seemed glum. Was my memory betraying me? Maybe Flapjack is always a miserable bugger.

Dante Tyte also joined us at The Claude and I recalled that after just a few sips of his pint, his glass was knocked over in what seemed like an innocuous incident. 

I couldn’t recall anyone being to blame, but I suddenly remembered Dante throwing a dirty look in Sandro’s direction. Did Dante hold a grudge against Sandro for the spillage?

Enough to murder?
-------

I tried to remember when I’d received the note and who’d given it to me. Memories of Milgi flooded back and it finally hit me. 

I remembered seeing the note being slipped into my handbag just after I’d said something, but what was it? It was probably something insightful and intelligent, but what?

Flapjack, Gavlova and I had been discussing Christopher Owens interesting life and how much we’d enjoyed Girls

“The gospel singers were amazing weren’t they?” I said intelligently and insightfully.

Flapjack and Gavlova agreed.

“He’s not the liveliest front-man in the world but he’s a great singer isn’t he?” Flapjack said.

Gavlova and I agreed.

“The drummer was really good too wasn’t he?”

Flapjack and I agreed.

“You know,” I said. “Sandro thinks that the best kind of drummer, is a sideways drummer. . .”
There was silence, and then Gavlova reached for a pen.
-------

So, mystery solved. It was Gavlova, in Milgi, with the ballpoint pen. Except the bones were on my carpet and the blood was on my shirt.

Would I really kill my brother because of a note? I don’t usually do things just because I’m told to in writing, unless it’s a really important email from a completely harmless and innocent individual I’ve never met before, who’s stranded abroad and needs my immediate financial assistance to the tune of $9,000, in order to get home to his distraught wife, eleven kids and three parents who havent got two dimes to rub together between them.

As I sat head in hands agonising and racking my brain I received a text message. That improved my day immeasurably. “You really are a complete and utter moron. You were definitely adopted. From a family of inbred dimwits no doubt. ” It was from Sandro.

My hangover dissipated and the world started to make a little more sense thereafter.

The stain on the carpet was nothing more than the product of a glass of milk that I’d drunkenly spilled when I got home, which also explained the smell. Not ideal, but it was no use crying over it.

As for the flesh covered bones, well, they belonged to a chicken which in turn belonged to a lady called Miss Millie, who’d kindly supplied me with last night’s dinner (and, so it seemed, this morning’s breakfast). 

Now, you may think it a stretch to confuse a few chicken bones with those of a human being, but Sandro’s arms are surprisingly short. And covered in batter.

Thankfully, the blood on my shirt wasn’t blood either. 

It was vomit, reddened by Strawberry Cider. How lovely. Just like Girls’  song.
-------

November
 
29-4 - Arctic Monkeys -
5-11 - Girls -

12-18 - ?
19-25 - Wild Beasts
26-2 - Foster The People + Kasabian

Tuesday 1 November 2011

Week 44

Week 44 – Tuesday 1st November – Arctic Monkeys – Motorpoint Arena, Cardiff – £29.50

“Do me a favour, gel this bit at the front and you’ll look just like Simon from The Inbetweeners!”

Sandro and I stood outside the Motorpoint Arena waiting for P. Mushy, when what looked like a short, drunk homeless man approached, hassling a ticket tout. Anyone who hassles a ticket tout is alright in my book, and while the tout tried to flog a thirty quid ticket for fifty, the short, drunk homeless man tried to persuade him to hand it over for free.

I stared, amused, with an expression to match, until the short, drunk homeless man clocked me.
‘Oh dear,’ I thought to myself, I’d forgotten the golden rule about staring at people (for the uninitiated, the rule is: If your subject makes eye contact, tilt your head slightly and look beyond them, mouthing the words ‘Is that. . . .’ as though you've spotted an obscure celebrity such as Lembit Opik).

Inevitably the short, drunk homeless man approached me. He seemed a little mardy.

“Do me a favour,” he began, in what I thought was a clever reference to the band he was desperate to see. “Gel this bit at the front of your hair,” he continued gesturing to my fringe (at this point I knew what was coming, and began to doubt his credentials as a homeless man), “and you’ll look just like Simon from The Inbetweeners!”

I didn’t need him to tell me this, and I refused his subsequent request to swap my new trainers for his urine soaked loafers out of spite. P. Mushy arrived just in time to prise me from the grasp of the short, drunk (but probably not homeless after all) man, allowing us to enter the venue.
-------

Already inside were Salazar, Flapjack and Gavlova who’d been drinking with Sandro in the revolutionary new rum bar in the city centre. 

Also inside were Cousin Bish and J-Mo, who’d briefly fallen out when J-Mo called Cousin Bish’s Dad a bumder. Earlier, J-Mo and I had missed a bus due to his tardiness, (though he’ll tell you some nonsense about me being to blame for having my headphones in, as he yelled for me to stop the bus). While we waited for the next one, a group of pubescent prats in a yellow Fiat yelled out something from the window.

“Did they just call us ‘Bus wankers’?” J-Mo asked.

“No, don’t be silly,” I replied. “Just you.”

They had every right to really. After all, he was wearing a Top Gun top that said Iceman on the back, even though he’s clearly a Goose. And don’t let me get started on the briefcase.

The Vaccines were already in action when I entered the Motorpoint Arena. Having seen them three times this year so far I wasn’t too worried about missing anything, but Flapjack was desperate to see ‘Wreckin’ Bar’.

“Have they played ‘Wreckin’ Bar’ yet?” he asked anyone who’d listen.

“No,” I reassured him. “I have it on good authority that they haven’t.”

I didn’t. I had it on J-Mo’s authority.

There’d been no sign of ‘Wreckin’ Bar’ when they began to play their usual closer ‘Nørgaard’ so I began to worry for Flapjack. I began to worry more when they dropped their instruments and walked off stage.
 
“You promised me ‘Wreckin’ Bar’!” wept an inconsolable Flapjack. Well, I say inconsolable. Nobody actually tried to console him.
-------

We weren’t there for the light entertainment of The Vaccines though; we were there for the serious business of the Arctic Monkeys. With their fourth album out earlier this year, as a huge (yet surprisingly slim) fan, I would have happily let them play for four hours, but they probably had things to do. They raced through over twenty songs, in a set that lasted less than ninety minutes. 
 
Their set-list was a healthy mix from their four albums, with only Humbug (a personal favourite) slightly underrepresented. We stood at the back of the Motorpoint, which proved a useful position due to the presence of a Carlsberg express bar behind us. 

The Monkeys’ arrival was heralded by the sound of Hot Chocolate’s ‘You Sexy Thing’, but Sheffield’s finest appeared on stage fully clothed. ‘Don't Sit Down 'Cause I've Moved Your Chair’, was the opener, allowing us to sing along to the typically witty lyrics of Alex Turner, though due to his trademark Yorkshire drawl not everyone was able to follow them. 

Run with Scissors, through a ship and fireflies!” sang Flapjack passionately. 

‘Teddy Picker’ and ‘Crying Lightning’, singles from Favourite Worst Nightmare and Humbug respectively, completed a fine start. After another couple from Suck It And See, came barnstorming 2nd and 1st album openers ‘Brianstorm’ and ‘The View From The Afternoon’, before the song that propelled them to stardom.

Gordon Brown’s favourite, ‘I Bet You Look Good On The Dancefloor’, prompted chaotic scenes at the Motorpoint, with Cousin Bish using his lanky frame to show off enough shapes to suggest that it may well have been written about him. New song ‘Evil Twin’ and the plod of ‘Brick by Brick’ were thoughtfully placed afterward, to allow for a mid-set bar trip. A previously berserk audience went wild again for the likes of ‘Pretty Visitors’, ‘This House Is A Circus’, and ‘Still Take You Home’, until the more measured ‘Dance Little Liar’, one of Humbug’s hidden gems, brought feet back to ground.

A highlight of Suck It And See, ‘She's Thunderstorms’, and one of their career highlights, ‘Fluorescent Adolescent’ were next, as Cousin Bish compared his mecca dauber to my betting pencil. Mr Pecker was unimpressed. ‘Do Me a Favour’ (whose lyrics surprisingly don’t make mention of my fringe), followed, and then a delighted J-Mo was on his tip toes for ‘When The Sun Goes Down’, a song close to his heart. 

The band left the stage to huge applause, and returned shortly after to more. They kicked off their encore with the Suck It and See’s lovely title-track, which led into a stripped down and slow rendition of the marvellous ‘Mardy Bum’, which Turner referred to as an ‘oldie’ at the ripe old age of 5. The wonderful ‘505’ closed a thoroughly entertaining show, yet J-Mo and I needed both hands to list the songs we were disappointed not to hear, which is testament to how many of their songs we love and how bad we are at counting.
-------

To round off the night, Cousin Bish, J-Mo and I headed for a quick drink in little O’Neill’s, where we arranged to meet Sandro and co, who’d escaped momentarily. En route, we passed what looked like a short, drunk homeless man, who was carrying a guitar. I did my best not to stare, but he approached us anyway.

“Did you guys just go to the gig?” he asked, stepping in front of us.

“Yeah,” we answered.

“I didn’t have a ticket, but one of the security men snuck me under the velvet rope,” he said, which sounded plausible.

“What did you think of The Vaccines?” he asked Gesticulated his thumb like we were at a Roman amphitheatre.

What am I supposed to say? I wondered.

“We didn’t see much of them. They were alright,” we settled on.

“I thought they were terrible!” he said, pointing his thumb downwards to confirm.

“I love the Monkeys, but I hated The Vaccines so much, and I was so angry, I got fed up and just left!”

What did he expect from The Vaccines?

 “I regret it now because it was a once in a lifetime chance to see them as well,” he said with a pained expression.

“Plus there was a really fit, scantily clad bird who was giving me the eye,” he added shaking his head.

It was at this point I decided that wed found the Jay of the group. 

We said our goodbyes and made to leave.

“Yeah, see you lads, he replied. Oh, and by the way pal,” he said coming towards me again. “If you gel this bit at the front of your hair. . .”
-------

November
 
29-4 - Arctic Monkeys -

5-11 - Girls
12-18 - ?
19-25 - Wild Beasts
26-2 - Foster The People + Kasabian

October



Monthly Non-Ramble

The Updated Itinerary so far:

January

1-7 - You Me At Six -
8-14 - Fjords -
15-21 - The Walkmen -

22-28 - Walter Schreifels -

February

29-4 - The Joy Formidable -
5-11 - Jonny -
12-18 - NME Shockwaves Tour (Crystal Castles, Magnetic Man, Everything, Everything The Vaccines) -

19-25 –Les Savy Fav & Frankie and The Heartstrings -


March

26-4 - Larry Miller -

5-11 - Daedelus -

12-18 - Benjamin Francis Leftwich -

19-25 - Elbow -

26-1 - The Thermals -


April

2-8 - The Sunshine Underground -

9-15 - Pete & The Pirates -

16-22 - Metronomy -

23-29 - Beady Eye -


May

30-6 - Camden Crawl  -

7-13 - Devlin -

14-20 - Beatles For Sale  -

21-27 - Manic Street Preachers -

28-3 - We Are Scientists -


June

4-10 - The Subways & Gomez -
11-17 - Marcia Griffiths -
18-24 - Glastonbury -
25-1 - Glastonbury -

July

2-8 - Tribes -

9-15 - The Big Gig -

16-22 - H. Hawkline -

23-29 – Eddie Spaghetti -


August

30-5 - Wibidi -
6-12 – Alice Russell -

13-19 – Brother Steve -

20-26 - Reading -
27-2 - Reading -

September


3-9 - Willy Mason -
10-16 - Toots & The Maytals -

17-23 - Little Comets -

24-30 -The Subways -


October

1-7 – Pete & The Pirates + Gruff Rhys -
8-14 – Emmy The Great -
15-21 – Sŵn -

22-28 – Sŵn + John Mayall -


November

 
29-4 - Arctic Monkeys
5-11 -?
12-18 -?
19-25 - Wild Beasts
26-2 - Kasabian

December

3-9 -?
10-16 -?
17-23 -?
24-30 -?
31 -?